The conference seeks to discuss the problematic notion of Europe’s cultural identity on a theoretical level. Here, the poetry of Friedrich Hölderlin and music as an example of a universal language are taken as a model. Not only from a linguistic perspective, but also from that of the themes of his late poetry and his translations, a renewed examination of Hölderlin’s work and of music can open up new ways of rethinking Europe’s cultural roots.
Within the framework of the German-Italian cooperation (Deutsche Forschungsgemeinschaft – Villa Vigoni)
Coordination
Prof. Dr. Albert Meier, Kiel; Prof. Dr. Markus Ophälders, Verona; Prof. Elena Polledri, Udine
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